Sopyonje analysis Essay Example | Topics and Well Written Essays - 750 words

Sopyonje analysis - Essay ExampleCultural symbolism of Pansori Bowyer (151) argues that the use of the pansori yields metaphoric give awaycomes. It has for two decades bolstered the level of perplexity of the genre among the societys youth, and created a desirable avenue through which traditional cultural beliefs and practices can be passed on to various population segments whose doings is under threat from foreign cultures. Pansori can be traced to the Jeolla region of southwestern Korea, where the director grew up. The use of Sopyonje as the title of the film refers to the western genre of pansori, which is believed to be secondary to the original Korean one. The films setting is misleadingly plain (Bowyer (151). Adopted from a short story text by lee Chung-joon, Yu-bong is a key architect of pansori who moves away with his two children, daughter Song-hwa and son Dong-ho who are pansori, and drummer apprentices. The three characters travel across the rural areas in an attempt t o exercise and nurture their skills while showing a determination to preserve the key values of pansori. At this point, the film deviates from a typical American culture of sacrifice approach to and assimilation of foreign cultures to one of self-preservation. The characters look for an excellent environment where they can relocate their closest kin, their history, and their original pansori or masculinity. These are typical cases of a community that is keen on engaging in the quest for cultural preservation at any cost. Bowyer points out that the film features a relentless Korean population that seeks to widen the opportunities for not only playing pansori, but retaining its original form and value (151). In light of the inevitable cultural influences that would follow, pansori essentially embodies a socially appealing struggle to preserve the vital Koreanness in an environment where modernity threatened to erode the basic values that define the culture. Yu-bong and his pansori t eams journey in a quest to retain the Korean culture outside of their native homes or Korean cities were basically driven by feelings of Han. Han is a Korean cultural feeling that one harbors when he or she cannot or is prohibited from showing feelings of discrimination, alienation, or abuse because one is a victim of origin imbalance. Yu-bongs team manage to slip away from their native homes, and carefully choses the traditional cultural environment in the countryside to correct the cultural imbalance caused by the influx of Japanese and American norms. Quest for womens voice Apart from struggling to reclaim the Korean culture which is at threat of Western civilization, Bowyer (151) points out that Im clearly defines the role of women in the modern Korean society and clearly adds to the quest for the dignity of the gender following many centuries of female abuse in the hands of South Korean men. Through the symbolic use of Song-hwa character, Seopyeonje has for the past two decade s attracted tens of millions of viewers in the country and beyond (Bowyer 151). The current impressive doing of women in the countrys leadership can partly be attributed to the soft, effective language that Im uses in the film to appeal to all segments of the society to pledge women causes. Conclusion Generally,